We’re In This Together: An Oral History of Nine Inch Nails | The FADER
Nine Inch Nails frontman Trent Reznor married his fiancee Mariqueen Maandig in a ceremony on Saturday, October 17th, E! News reports. Fourteen of Trent Reznor's colleagues retrace his path from college Trent's first gold record wasn't even his own—it was a recording he did of a group called Troop. . When you meet someone sort of famous, you always imagine them .. Along with his wife, Mariqueen Maandig Reznor—who declined to. Meet Trent Reznor's Main Musical Partner–Who's Also His Literal Partner! Mariqueen Maandig,(who goes by the nickname “Q” with friends), a striking Filipino . How many millions did you spend on YOUR significant other?.
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Our partners may use the information collected to serve you with targeted advertising, both through our Services and other websites, email, online services or mobile applications. We may also contribute to or participate in cooperative databases, which give other companies access to your information. I could barely see the face of the first person at the front of the barricade, they were so far away. However, the energy coming back from that body of humans was undeniably on the side of these songs.
There was quite a connection made that evening.Trent Reznor Meet and Greet / Onstage
I look back on it now and I see that it was the right time for us. I think the audience really drank the whole thing in. Photography by Rob Sheridan. NIN has always had an active fan community, one of the biggest ones on the internet. So he wanted to make an official site for the band, at a time when bands and corporations were only just starting to experiment with having official websites.
Mariqueen Maandig and Trent Reznor Release Album – WWD
He hired a web development team in New York but also wanted someone who was younger—a fan—as the link between him and what was going on in the New Orleans studio and the fan community. He brought me in for a meeting, and we ended up getting along really well. Trent recognized early on that the most valuable asset artists have is access, and the importance of deciding how much of that access he wanted to dole out.
At the time, there was a tremendous layer of mystique; the only glimpse you got of your favorite musician was in interviews in magazines or on MTV, so the internet was a new territory where fans could explore and peek behind the curtains. The stuff we did very early on with NIN. There seemed to be a reticence. We had loads of music on that record, but hardly any of the songs had singing on them. The lyrics all came last.
I think it was that he built it up, had to go somewhere uncomfortable, or the fact that he wondered if he had anything to say. From basically a loop of a noise, it grew and grew into this big song. Piecing everything together seemed to take forever. We spent three weeks mixing and finishing it, and I think it was because it was the end of the album.
There came a time when there was no active, functioning NIN. It became a bunch of people scratching their heads at what was next. During that time, Reznor completed rehab for drug and alcohol addiction.
Photography by Kate Garner. With Teeth tour Trent was deliberately underplaying because this was his first tour back, and his first tour sober. The tickets sold out in about three minutes. Trent was very separate on that tour. He was the picture of military discipline. Everything was run like total clockwork. Everyone involved had an immense amount of respect for him, especially the crew. They were like a black-clad bunch of industrial freemasons.
I connected with Trent at a moment when he was really looking to feel fresh. I got to know the clean, sober, productive Trent. He wanted to live. He had a gym backstage. I heard the drum machines, but everything was on beat. Trent had never heard Fela before. We were both really into the same sorts of things, but from different angles. Then you put it through all this processing so it sounds like it came from a s record. It actually started off sounding amazing and massive, and then you make it sound absolutely minute.
Trent works incredibly hard at being vital. That man works seven days a week.
The personality that exists now in relation to who he was—who we were back then—is very different. But the songs are the portal tying those two together.
The computer brain that was making the sounds was offstage. What pushed me away from the band when I left in was that it was becoming automatic, basically the same thing every night. I left before the tour was over. NIN continued as a four-piece forthen took a break.
I kind of knew that [the hiatus] was coming. Trent had been touring longer than I had.
I knew he was getting tired and ready for something else. Ninety-five percent of the time [leading up to a release] was us in the studio. We do a lot of recording. Then we build and build on top of that. There is no bad note, no mistake—none of that matters at all.
And at some point, something magical happens. Trent had been thinking about the idea of specimens, the kind you see in natural history museums—this whole thing of taxonomy, systems and trying to organize and understand genres or behavioral patterns. I used a phrase in a conversation with him: Even though our styles differ, it seemed to me that our methods were very much the same—approaching the writing process through color, working the textural and tonal relationships of the track, much in the way an abstract painter works.
There was really no verbalizing in terms of what to play, no preconceptions of any kind from Trent. There were no melodies yet, and I felt that he was really just looking for his next set of clues to advance the material to the next step, hopefully infusing the stuff with a bit of my style along the way.
What takes time is the constant process of building, then stripping and building and stripping and building. Ultimately, the end result is the best we possibly can do. He never takes the easy route on anything.
Mariqueen Maandig and Trent Reznor Release Album
He works on the marketing, he works on the branding, he works on the concepts of music videos and tour productions. When Jimmy Iovine initially brought Trent on board at Beats, he was looking at him just as an audio guy: We ended up going in there and turning the whole project upside down.
Trent has continued to hold this very high creative role in Beats Music. Production rehearsals for the Performance tour, Photography by Tamar Levine.
She was playing a show in at the Revel Hotel in Atlantic City. I was brought in basically because she wanted to do exactly what we had done with Trent. I was visiting a friend who was working with Alicia Keys just to see how he was, and I go on set and it was an exact replica of the three screens we had on the Lights in the Sky tour. Our core principle is not being afraid of change. You grow up and realize, That guy gave me my first shot.